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Filtering by Tag: Fisher

Atlanta Pen Show Recap

Fr. Kyle Sanders

Franz Dimson ,  Jeff Abbott , and myself (photo courtesy of Franz Dimson) 

Franz Dimson, Jeff Abbott, and myself (photo courtesy of Franz Dimson) 

I was looking forward to the Atlanta Pen Show all year. It was a long Lent, and I was anticipating a good time with my pen friends as we geeked out about extra-fine nibs and primary manipulation, knowing those were not underground sexual references.

It was different this year. Many of the regulars from the two previous years didn't come down, choosing, rather, to wait for the Chicago Pen Show. It opened up the space for something new, which included cupcakes and a contingent from San Francisco. The nights were filled with conversation and alcohol and pens. It felt like war. Back in the day, before the gun and the lamp, battles ended at sun down and all sat at camp recovering, licking wounds, and consuming comforting liquids, talking about the scars acquired and comrades lost. Thankfully the only thing spilled was Diamine Oxblood. In those camps was a communal atmosphere of 'we survived together' and it brought those soldiers closer.  We didn't experience violence, but like comrades in battle there was something shared that those outside camp wouldn't understand.


My first purchase was six-months in the making. I comissioned Shawn Newton to make me a holy water dispenser pen. (I'm going to spend another post on this and the full story behind it. ) It left Shawn's hands in February and travelled to the Vanness Pen Shop for a relief engraving, after which it was sent to Jonathon Brooks, of Carolina Pen Company, to do an abalone inlay on the cap. Jonathon delivered it to me on Thursday night as we all prepped for the show. I was ecstatic. I showed it to every person I could, and probably a few people multiple times. I was super excited about it. It's made it two years in a row that I've gotten a holy water pen at the Atlanta Show. 

This was my first year at a Friday of the show. It was evenly paced. It didn't seem overcrowded but was sufficiently attended. The only money I spent was on a brown luminescent Franklin-Christoph 45 to replace the one I purchased last year. The first disappeared (Sad face). I had Jim Rouse put the same grind on the nib, a stublique, as he calls it, or a SIG (stub italic grind) as F-C calls it. I have found the 45 to be my favorite of all the models Franklin-Christoph makes. I love the size and the grip. I promise I won't lose this one too.


I brought a few more pens for repair. I'm not ready to jump into the next 'stage' of pen geekdom, repairing my own pens. I know it's possible, and with practice anything can be done. However, I am more into seeing what can come out of the pen then what is in it. Not to say I don't appreciate a pen design, but rather I'm interested in creating sentences not pens. Anyway, I had an Esterbrook desk pen that needed repair and resaccing and an old Sheaffer Jade pen that needed a new sac and nib. The Esterbrook could be done at the show. I left the Sheaffer with Sharrell Tyree to restore. I'm looking forward to getting that pen back and playing with it. 

In my aimless wandering through the show (I wasn't lost, I just found myself talking to people rather that looking at pens), I came across Brad and Myke, of the Pen Addict Podcast, talking with Detlef Bittner. He was showing them the new line of Wahl-Eversharp pens. They've managed to design a semi-flex and full flex nibs to put in their Decoband model. This pen is a monster of a pen and makes a Montblanc 149 look like a Kaweco sport. I was impressed with how well the semi and full flex worked. Aurora's semi-flex had trouble keeping up. Being that the Decoband runs just shy of a grand. I'd have to save up get one.

Friday night was off the chain (did I use that slang right?). I've never seen so many Sailors in one place and there not be a boat. I was introduced to the King Eagle nib. The lower the angle of the pen to the page the wider the line, and it can be flipped over for a nice fine line. It's technically extraordinary not terribly attractive.


Saturday was the busy day. The rooms were packed for most of the day. It felt more frenetic. There were a lot of people who came up for the day which gave the show a high energy. Limited time, expendable money. I only picked up two things that day. I had been eyeing one the Karas Kustoms delrin models. It had a purple delrin body and a gold aluminum cap. They made it for LA as an homage to the Lakers, but in SEC territory purple and gold only has one team, the LSU Tigers. I couldn't not buy it. I prefer the Fountain K model to the bulkier Ink and in LSU colors it makes it a great daily carry pen. I also traded (my first trade) a Visconti Rembrant, I was trying to sell, for a seafoam green Sheaffer Snorkel. I love the color but the nib will need some repair. The Snorkel gives me more delight than the Rembrant. I was also able to sell two other pens that evening to fund a Sunday purchase.

Saturday evening was sushi and pens and pens and alcohol. Jim Rouse brought out some of his unique pens, like a demostrator Parker Vacummatic and a pen from the original run of Franklin-Christoph. Dave Rea also shared his brand new LB5, which about as large as the Decoband from the day before. Mr. Lambrou makes beautiful pens, but the more I handle the less I want one (and my pocketbook takes a big sigh).


I found Sunday tobe uncharateristically quiet. A storm did blow into the city which prevented some of the tentstive locals. Most of those there were vendors qnd weekend passers. Having been there for two days, I appreciated the slower pace. I spent the morning in front of Mark Bacas, the Nib Grinder. A few years ago I purchased a Visconti Salvador Dali. It never wrote well for me (I've owned 5 Viscontis and only the Rembrant I sold the day before wrote well out of the box), but I liked the body too much ot sell it. I also wanted a funky nib grind in homage to the king of surreal. Mark ground the broad nib into an italic, and, if flipped over, it becomes a fine. It's a cool little nib and makes the pen much more enjoyable to write with. I also had him turn the new Fountain K into a needlepoint. 


I ended the day with two purchases. All weekend I had been eyeing the special edition ebonite pens Johnathon Brooks brought. One in particular, with waves of light bluegreen at the bottom of the barrel, caught my eye. I must've picked up the pen 30 times over the weekend and Shea, Jonathon's wife, just egged me on each time. I liked it too much and had to have it. I had him put a 1.5 mm stub on it to just lay down ink. I left knowing I have a unique pen that is exquisite in a material I love. 

Over the course of the weekend, I documented every ink I possibly could. I had made it my goal to become a bit more familiar with various inks. I'd never laid down so many inks in so short a time. I enjoyed seeing the subtleties in different shades from the same brand. A few caught my eye, but I only purchaed one, the Franklin-Christoph Blue 72. It's a simple straightforward, bright blue. I enjoy its simplicity. While getting the ink, Jim sweetened up the feed and nib of the 1.5 stub in the Brooks pen. Sunday night I went to dinner with some friends in Atlanta. When I returned there was a small remnant, i.e. Ana Reinert and the Cali crew (who I'm pretty sure hadn't adjusted to Eastern time by the time they flew out.)

Usually a pen show does not satiate the thrist for pens. In my experience it drives it. I got to see great specimens of the OMAS arco celluloid I wished I could enjoy. I'm still in search for a Montblanc Heritage 1912 I could afford. Other than the new Decoband, I've added two more pens to the wish list, neither of which I could've bought on my limited budget this year. The first is the Maui Makai from the Kanilea Pen Company. They have multiple pens one can desire, but this particular material piqued my fancy because of the translucent blue in the middle of the pen, transporting me to memories of swimming in the Florida Keys. The second is the Earth pen in Carl Fisher's, of Fisher of Pens, four elements series. The green galaxy look of the pen captured my eyes and my imagination. 

 On a final note, I apologize to those who followed this blog on a regular basis. I've gone through a transition time in my life, and blogging became less of a priority to allow me to work on other things in my life. I can't promise you regular writing, as much as I would want to, but I hope snd intend to make this a regular part of my life again. For those of you who have emailed me or told me at the show that you miss the blog, I appreciated that more than you would know. Thank you. 

Calligraphy by  Nikola Pang

Calligraphy by Nikola Pang

Fisher Q-4 Review

Fr. Kyle Sanders

I am excited to announce a review partnership with The Pen Company, a small family run stationary retailer in the UK. I received the following product from them for review, however, this does not sway my view of the product.


 In trying to chose a review item, I wanted to choose something 1) I've never owned or used 2) preferably something something I've never seen reviewed (because I'm prideful). These are both selfish  reasons I know. Hopefully the choice comes to bare to aid in your purchasing. 

For some reason, I was interested in trying a multi-pen. I don't use one often and when I do it's the Hi-Tec C Coleto Me. Their concept, however, intrigues me, a vertisble Swiss Army tool of writing instruments. In my search I stumbled upon a multi-pen produced by Fisher, to whom I connect the famous Bullet Space pen with its patented pressurized ink cartridge. I knew they made other pens, but I had not seen one, until now. It fit my parameters and The Pen Company's, and, two weeks later, the pen showed up in the mail from across the pond. 

I was excited about getting a new pen and starting this new aspect of the blog. It seems I caught my office manager, Steve, in an equally excitable mood. We opened the box together finding the pen in the Fisher 'space case.' I gave him the honors of trying it first, since it wasn't a fountain pen (he's more keen on rollerballs but I forgive him). He took it out of the box. We both looked at the gunmetal barrel and ribber grip, and the four functions printed on the top of the barrel right below the nock mechanism. He clicked the nock and out came the stylus. He clicked the release button, clicked the nock again, and out came the stylus. He repeated this one or two more times before I snatched it from him in impatience only to find the same results from my attempts. After 5-7 minutes of varied success getting different functions to come out, black ink, or red ink, or the stylus would come out, but never the pencil. There seemed no rhyme or reason by which to eject the desired function. As we were sitting out in the front part of the office, the parish secretary probably thought it was hilarious, us sitting there trying to figure out how the mechanism works properly. At her commensensical recommendation, we decided to look at the directions provided by Fisher (did I say pride earlier, add stubbornness), and they didn't disappoint. Once we 'figured it out' we were both completely fascinated by the pen. (I've got to leave some suspense. I'll tell you how it works later. I guess I'm a prideful, stubborn tease). Steve then went all around the office showing everyone how it works. For the next 30 minutes, every visitor to the office got a demonstration of the pen's operation. I think I effected the efficiency of the office that day.

I carried the pen in my shirt pocket for three months and have a good handle of it. Here, then, are my thoughts. 


Fisher prides itslef on creating writing instruments for the space age. That futuristic aesthetic is present in our current charge. The pen is sleek and unadorned. It says I'm here to take scientific measurements on the moon, in mulitiple colors. The pen is larger than the Pilot G-2, and its slender length gives the feeling of an apollo rocket. The body bulges slightly at the rubber grip section giving the whole pen pleasant lines. 


The body has a gunmetal color to it. Although such a color lends itself to the thought of space age, as opposed to teal or pink or Irish green, it leaves the pen looking like a fancy advertisement pen. Instead of looking ready for the space age, it looks more comfortable at the doctor's office or with a law firm's name on it, leaving the pen looking cheap. The chrome accents at the tip, in the band above the grip section, in the click mechanism, and with the clip up the class just slightly.  

Even so, all of the colors of the pen balance well. The black of the grip section mixed with the chrome accents find a happy tonal medium in the gunmetal grey of the body. This monochromatic feel gives the pen a '50's futuristic aesthetic in line with what I would think Fisher was looking for, but it still looks cheap.


The branding is simple with its white words sitting nicely within the greyscale. Above the grip section band, is says "Q-4 PEN by FISHER." Below the cap, written in the same font are the four functions of the pen: Red, Black, .7mm, and Stylus. Stamped in profile on the side of the clip is "Japan,"  which makes the pen look cheaper still. After spending three months in a breast pocket the printed branding is starting to be scratched off; eventually, after a few years of hard use, it will become impossible to know what function is being chosen. 

I do like the interplay between the dull black rubber of the grip with the polish of the body and accents. It settles the eye after all that reflection, a reflection which gives the greyscale a vibrance black and white film wished it could convey.  



This is where this pen shines. It has a unique mechanism to 'discharge' the desired function. It uses gravity to determine which function is ejected for writing. The names of the four functions around the top of the barrel are not just decorative reminders but are functional keystones (pun intended). The function whose name faces up when the pen is horizontal will be the function that is extended. This is where myself and the office manager ran into the random ejection experience. We held the pen vertical, like every other pen is held, when ejecting the refill. We hadn't operated the pen correctly, hence the headaches. We were telling it to do something it wasn't made to do. 

This fascinated me the first week of use because it was new and a rather ingenious way to solve the  multi-pen problem of multiple cartridges playing bed buddies in the same barrel. They have to play well together or there will be a serious problem. After the first week, however, it became more of a frustration. I still hadn't gotten the orientation of which function was where on the barrel for me to eject it, so I would end up spending a few seconds looking for my desired function. "Oh there's the red pen." This extra time seems counterintuitive to the click function of the pen. You have quick access, but wait, let me find the right passage way. 

The click function itself runs smoothly. There are no snags or hangups. It has a comfortable tension that doesn't make it feel too loose and shakey nor is it so thight as to require the strong thumbs of a video gamer or portrait texter. The release function is also smooth. Although it is a small button it doesn't get accidentally pushed causing me to look for the function again. It requires an intentional push. Each function fits well through the extension hole. No one of them feels skinny or misshapen, all fits seamlessly 

The pencil function, after being extended, requires another click to extend the lead. The nice thing is that I can leave the lead extended even if the pencil function isn't ejected. When I do find the pencil function to click I can get right to writing.


I don't know when the pens were first produced, but the stylus is completely useless. It looks like an old Blackberry stylus. It is't capactive for the modern touch screen; it dosn't even work on credit card machines in the gorcery store. This basically makes the pen into a Q-3 + nothing.

There is also a hidden eraser in the nock push. It doesn't look any different than the eraser on a Rotring, but it doesn't function as well. The nock,when engaged, is rather springy making it difficult to erase, because, when you push down, the nock just goes farther down. It doesn't lock to allow you to erase. I had to hold the nock to erase anything. Again, ease of use is the issue.


 The pen has a good weight to it, definitely having more heft than the analogous advertisement pen. The weight is situated at the grip section preventing it from being top heavy and leaving it feeling very comfortable in the hand. 

I like the feel of the rubber grip. It feels like my fingers are sitting on a lazy boy. The rubber itself has some shiftiness to it. It isn't dense or immobile like tire rubber. For a while I thought the shiftiness lent to the  cheap feeling of the pen, but as I wrote with it I came to like the waterbed feel it gave.


The Fisher space refill is one my favorite ballpoint refills. It's smooth. It has a consistent line. It can write anywhere, anytime. The black refill lacks some darkness of a good rollerball but the charcoal color is pleasant nonetheless. The red refill is just as enjoyable. It puts down a little bit thinner line that the black despite having the same tip size. These refills really help to make the pen something I'd use on a regular basis. They're enjoyable, pleasant, and useful.

The pencil takes a .7mm lead. I prefer .5mm, but I can tolerate the width. Because of the relatively light weight of the pen (a Rotring is heavier) along with the particular installed lead it doesn't put down a very dark line. I can always change out the lead to something more my liking.  

The stylus ... Well.  



The Fisher Q-4 is $48.37 at The Pen Company. This is below the Lamy 2000 multipen, $57.66, and above the Lamy Logo multi-pen at $34.47. Although the price sits between these two pens, I don't think it would be as durable as those to Lamys. Consisering the advterisemnt pen-type body, the price seems high even at the $35 price range you find at discout retailers. The price might be attached to the unique nock system, which was probably some fun engineering R&D. I'm a little shocked, having experienced the build quality of the bullet space pen, and its simple beauty, Fisher couldn't have made something that looked nicer and warranted the higher price tag. This is especially the case when rival Uniball has its Jetstream multipen + pencil priced at $16.50 with a cheap plastic body.

I'm assuming the model is also no longer in production since one of the functions is obsolete.

Is the Writing Reverenced?

I love the uniqueness of the mechanism, and those Fisher refills are some of the best ballpoints on the market.  However, these two things don't redeem the chinky look, relative unease of the mechanism, and complete uselesness of the stylus. Not reverenced.


Paper:  Clairefontaine Classic Top Wirebound Notepad A5