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Filtering by Tag: Lamy

DC Pen Show Recap

Fr. Kyle Sanders

Forgive me if I get sentimental. Forgive me if I wax poor poetic of a weekend that was full, filled to the brim leaving me with less than adequate amounts of sleep, full of beautiful people whose beauty comes not from runway looks but from good hearts, full of beautiful pens and beautiful inks, full of laughter and joy, full of many things that we seek in life: friendship, community, leisure, joy, generosity, kindness, mutual benevolence. I came away from the nation's capital filled with hope, which is itself a gift.

This may seem an odd, and terribly sentimental, response to a pen show. I left full after spending three days around writing instruments and paraphernalia? To capture why I feel this way would be difficult. And, although I have been bereft of words on the blog for many months, I will try to paint cabinet pictures to welcome you into why it is I feel this way. 

Our fellowship started small, Lisa Vanness, her daughter, Cassie, and myself. Through rain and through mountains we traveled. Being from the swamps of South Louisiana, anything resembling hills is impressive to me. Traveling through mountains for an extended period of time always garners images of Aragon, Legolas and Gimli hunting down the Urukai in The Two Towers. Tennessee and Virginia still maintained lush greens in the height of summer. Rolling foothills of Sailor Bungbox Norwegian Wood and Caran d'Ache Delicate Green meeting the Visconti Turquoise sky made most of our drive a pleasure. Even when the skies darkened to Iroshizuku Kiri-Same or the lighter shades of Perle Noire, the mountains pushed through as immovable forces fighting against the falling rain. After hours amidst the Shenandoahs we greeted the new lining of the highways, stone, metal, and glass of the DC suburbs, if only because they announced a coming end to our journey. 

We arrived to a show already abuzz with traders and some familiar faces. We didn't spend much time catching up as we took the metro out to DC proper to tour museums. The rest and relative quiet was an intentional calm before the storm. I spent my three hours amidst the tempura pain of the late Medieval and early Renaissance paintings of Italy. The blues of the Madonna and the reds of the Crucified Christ still stand out in my mind. By the time we arrived back, the fellowship was completed by Brad Dowdy, Ana Reinert, and Matt Armstrong. 

Friday morning came and our crew of bloggers and Vanness assembled to peddle pens and ink. Being familiar with most of the pens and at least some of the ink I found it easy to slip into salesman. Matt and Ana, the ink experts, spend their time helping match inks to pens or shades to inks. Ana with her bright pink hair and Matt with short almost imperceptible blonde hair navigated well the seas of magenta, blue/black, and sepia guiding ink-farers by their lighthouses to the safe shores of Akkerman and KWZ. Lisa flitted around lending her expertise to wherever it was needed. Brad and I found ourselves, most often, trying to sell pens people picked up but didn't care to buy. Cassie often enough became the exchequer ensuring proper funds were exchanged. All weekend there was a conviviality about our lovely band of misfits. Despite the long days and constant stream of customers, we were jovial. We were content being at a pen show, surrounded by the people and things we love. 

Because of the busyness of the table, we all didn't have much time to go shopping. This made it a very different show. It wasn't about the deep search and find for a gem. This show is made for this particular type of shopping because there are so many pens. I came having preordered two pens and having two more on my shopping list. I preordered the new Visconti Homo Sapiens London Fog from Chatterly Luxuries. I chose a broad nib when I picked it up. I also preordered a blue Aurora Optima from Dan Smith who ground a fine architect on the nib. Both are gorgeous pens. I also reserved a bottle of Lamy Dark Lilac from Vanness. 

There were two surprises on Friday. Franklin-Christoph has made a name for themselves at the beginning of shows by having prototype materials; that is now an expected at every show. The buzz was immediate when everyone heard Kobe-Nagasawa had brought their full line of ink. Their popular inks went in the first day. I was able to pick up #32 Tamon Purple Gray to add a second bottle of purple to my DC collection. The second surprise came from the debut pen company, Kanilea Pen Co. They represent a step forward in this continued movement in small American pen makers. Edison Pen Company and Franklin-Christoph started a new trend using great nibs and beautiful materials. They've gone a step farther by providing a story and meaning for each material used. They provide a few different body styles. They have a fantastic logo. They did it all right. Some of the most sought after pens of Friday, their stock was widdled down after one day. It will be interesting and exciting to see how they move from here. Once the Pen Addict talked about them on Wednesday, their website was overwhelmed, a good sign indeed.

Late in the afternoon, when people had seemed leave to eat or take naps, I took advantage to browse a bit with Thomas Hall. We passed Chatterly and Edison Pen Co. perusing but not committing. It was at this point he asked if I had a shopping list. I had seen a pen in the Atlanta pen show that was an OMAS limited edition commemorating the 50th Anniversary of D-Day. OMAS is know for beautiful simplicity in their pens this one is no different. The same retailer was there at DC, Toys in the Attic. After taking a good look at with Thomas, I couldn't pass it up, It's my favorite of the whole haul. It needed a bit of work which Dan Smith helped with, and it writes wonderfully. 

Saturday was supposed to bring a rush at the beginning of the day. Some of that was lessened by higher traffic on Friday, but the organizers also didn't allow massive line to form. It was busy the whole day. The fun came after hours. The bar was populated with awesome people. A possible conversation with an outsider looking in, would've gone something like this:

What's going on? Where are you from?
We're from Canada, the Philippines, and at least a 3rd of the states in the US. We're here for pens.
Pens? The bystander pulls a Bic out of her purse, her face contorting in confusion.
Her responder pulls out a recent purchase, say the Aurora Optima, More like this.
The confusion mixes with wonder as her eyes grow wider.
We like to use and collect fountain pens, Aurora held out as a token of honor. 
But you're all so ... happy.
Yes, the pens brought us together, but we have made good friends with our fellow pen addicts.
Yearning grows on her face as the fear of looking an outsider fades, Can I join you?
Hooked

Such was the atmosphere that night. In fact, Brad told me one guy arrived that very evening apprehensive at attending his first show. He saw us at tables boldly walked up and introduced himself saying, "You must be here for the pen show." 

I spent most of the night under the tutelage of Thomas Hall, learning about urushi and how it charges per master using it. I learned about how to search for what you like and pass along what you don't, an idea I am more convicted of leaving DC. In the midst of the lesson, we dove deep into his collection of TWSBI 580's. Thomas has a large collection of Danitrio and Nakaya and all sorts of fine writing instruments. He loves the 580 body, but he has done brain surgery on them replacing the Jowo nibs for vintage flex. Oh my! Those nibs certainly wouldn't work for my everyday handwriting but neither is does M1000 (a pen quickly moving up the rankings). Stick with what you love is a great model. As I go back home, I'll start looking at what I love and what I don't. 

Sunday was more restful. It was filled primarily with goodbyes. Many had to get back to work for Monday returning to using their pens in the midst of the digital age. Sunday felt like a day of transition. There's some back door deals between sellers for leftovers, but you can tell everyone is preparing  to move on after a frenzy of two and a half days. For some stock has depleted, for others it's disappointingly unchanged. The Vanness table slowed for the first time the whole weekend. Most had gotten the inks they were looking for. Robert Maguire, a Canadian confrere, had generously passed along to me a Shearer Tuckaway with a military clip and faulty filling system. Mike, of Indy-Pen-Dance, coaxed it back to life. My final purchase was one I planned on making. I sat down at the Franklin-Christoph table to look at Jim Rouse's Sheaffer Legacy Fantasy pens. I pulled the whole case to me. At first, I was attracted to the orange material because its vibrancy makes itself known. As I looked through the materials though, I returned to the cracked ice material because there were small shimmers of blue like water bubbling up from rock. I might call it my Meribah pen. 

As we all parted, Sunday night was bittersweet. We so thoroughly enjoyed ourselves. We enjoyed sharing our mutual love sans much drama, anger, and bitterness many had experienced at previous shows. I really think DC 2016 is a turning point in our community, and my hope is, despite different cultural backgrounds, we grow in unity through our mutual love of pens. 

my haul from the show

NANOWRIMO Materials, 2015

Fr. Kyle Sanders

Hey, everyone (if there's anyone left). It has been nearly five months since my last full post, which is way too long. I apologize. I don't do thee justice. Nevertheless, there is always time for renewal and starting afresh in this earthly life of ours. So I come to you again two days before the start of NANOWRIMO.

I have been participating in National Novel Writing Month three years running. My total number of words I wrote, over the three year period, didn't reach the coveted number of 50,000. I have tried short stories, a novel, and non-fiction. The intention of NANOWRIMO is to get us writers to write, to do away with our inner editor and just put down what's in our minds, as incoherent and ungrammatica asl it may be. It condenses a small novel (50k of words might be 3 chapters to George R.R. Martin) into a frantic period of writing, to stir creativity, since we have been trained by numerous teachers and college professors to produce our written work by a deadline. Deadlines direct and focus the writer, which is partly why you haven't read much from me as of late (shrug); I lost my writing rhythm and couldn't find the beat. So now I decide to step onto the empty dance floor to go all Kevin James in Hitch doing my thing without a care for what people think. 

Psychologically this is quite overwhelming. Fifty thousand words (putting numerals into words always helps) is quite a bit to write, especially when I'm used to writing in blog post and homily sized bits. Developing an idea or story over such a long span of writing seems insurmountable. I know it's not because I personally know people who have conquered it. But there are still lingering doubts. 

With all this in mind, I decided to slightly bend the traditional NANOWRIMO rules, which usually call you to write on one project. I chose to continue my current, or rather more comfortable, mode of writing, in short chunks. So I will switch between projects I'm working on, rotating through them. They are: this blog, my other blog, my homilies, and the non-fiction book I started last year on the theology of alcohol; 1,667 words per day on each subjext. Some days this might be more, other days it might be less. That length, however, isn't any longer than a long blog post. I think that is doable in my mind. I'm really excited about this and am looking forward to finally reaching that 50,00 word mark. 

Being that I am a stationary snob and certified pen addict (Brad Dowdy how is this not a thing). My long journey in words will take place on paper as opposed to screen. It starts with the instrument. I saw an add from Conklin a few weeks ago in the latest edition of Pen World about three new pens the company produced recalling models the company made in its heyday nearly a century ago. One of the pens in particular caught my eye. Although it is gimmicky, I fell for it, hook, line, and sinker. A piston-filler, modern Conklin's first, the Word-Counter is, to my knowledge, unique among currently produced pens. It has, etched on the misty-yellow demonstrator barrel, levels to show how many words the pen has written through measuring the level of ink. This gives the writer some semi-scientific indication to the length of his writing. It seemed perfect for the NANOWRIMO endeavor. It says it holds approximately 5,000 words worth of ink, which would mean I'd be inking up the pen at the alarming rate of every three days. That's quite a bit of inking. 

I figured I would mark every filling with a different ink. This way variety can aid in inspiration. In monotony, I find difficulty. I chose nine inks to handle this, the whole course moving from dark and dull to bright and vibrant. I start the first three days with Aurora Black, a solid base on which to stand. Moving slightly off color, I will then turn to Private Reserve Ebony Purple, a self explanatory color, really. This will be followed by Diamine's Cult Pens Deep Dark Blue. These first nine days will cover a solid base of writing and gives me confidence to continue on. 

The next nine days starts with Sailor Jentle Epinard, which, although being a dark greeen, gives some sheen in comparison to the three previous matte colors. I will then enter the most difficult time in the NANOWRIMO month. I have chosen an ink to mirror the start of the dulling of my perception and the small ways in which, after approximately twenty thousand words, reality starts to waver, delirium not yet set in, but certainly walking up the street like a self-righteous proselytizer who perceives my weakening mind and body, this being Montblanc Meisterstück 90th Anniversary Permanent Grey. After which, I will fill in the grey hole with a matte, bright color reminiscent of leaves falling elsewhere in the country, Organics Studio F. Scott Fitzgerald. 

The final three days will grow in brightness, joy, and vibrancy. It starts with one of my favorite inks, which I will need after such a somber mind-month. Lamy Turquoise will brighten up my paper and give my writing some nice shades. With Organics Studio Nitrogen jumping up the vibrancy of the blue, my words will pop off the page. Hopefully, it will help words pop forth from my slowly tiring brain as well. To give me energy like that last cup of coffee at three in the morning the dawn a paper is due, I have chosen the inimitable J. Herbin Rose Cyclamen. A pink that, hopefully, will bring me to the finish line. 

You might have noticed I only choose nine inks approximately leading to only 27 days of writing leaving three days unaccounted for. After my experience of pencils during Lent, earlier this year, I have incorporated them into my rotation declaring Fridays as pencil days, coloring them with graphite alone. Four of the thirty days will be ferruled by the pencil. The pencils used will vary from mechanical to woodcased, whichever is closest when writing. My tastes there are not yet sharpened. 

This year, I have done something I've never done in my previous three years, through the inspiration of Johnny Gamber, of Pencil Revolution. I sat down and mapped out a basic plan of the topics I would cover in the various projects, recording them in over 30 pages of a Field Notes Shenandoah, leaving 18 pages for notes and other things. This will be my companion through this scribal pilgrimage. It will be my map and my odometer. With it, I have three other notebooks, my Nina, Pinta and Santa Maria, each already assigned a task and therefore ramping up their workload for the month. I will continue using the Zequenz 360º from last year to expound on alcohol in a theological manner. I have been using and will continue to use as my homily prep notebook the Nock Co. A5 notebook, which has been covered by stickers. Finally, to develop my thoughts for both blogs I've been using, since May, the burgundy soft-cover and lined Monsieur Notebook. 

With all these tools on hand and a plan somewhat sketched, I feel more ready than ever to mount the heights of the Zion of post-modern writing, a NANOWRIMO win. 

Are any of you embarking on this NANOWRIMO journey? Let me know in the comments, we certainly need mutual encouragement. If you are, are you going analog or digital? If analog, what tools are you using?

Today's Tools - 8/8/15

Fr. Kyle Sanders

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Saturdays are usually homily prep days so I'm doing a lot of writing. My current Homily Prep journal is the Nock Co DotDash A-4 notebook. I'm really liking that ruling Brad and Jeff designed. It fits my handwriting perfectly and really allows me to get the most out of one page. I was filling it with my Sheaffer Triumph Desk Pen with a fine nib filled with De Atramentis Sherlock Holmes. 

Now that I have my ideas down. I'll turn to the Rhodia n. 19 Dotpad to write my delivery notes. The detachable pages make it really easy. I'll be writing those out with my borad nibbed Lamy Joy which is filled with Pelikan Edelstein Adeventurine.  

What are you writing with this balmy Saturday?

Pens - How I Let Things Flow

Fr. Kyle Sanders

flow_page1

For two years or so, I have gone from full on digital guru amongst my friends to the largest proponent of analog gear. It started with my first fountain pen, then a second, then a third. My equipment continued to grow so much so that is seemed obvious for me to begin sharing my experience of these writing tools. 

It seems appropriate that, before I continue with other topics like reviews or other creative endeavors, I share should with you how I use my pens paper, and ink on a daily basis. Today, I will start with my fountain scribal workflow. 

1) My Daily Carry

This has different connotations in different areas of the internet world. For me, it is the two pens that are always with me, sitting in my breast pocket ready to be used at a moment's notice. 

flow_dailycarry

Around the time I started in regular ministry as a priest two years ago, I started carrying around a fountain pen in my pocket. For about a year that was just one pen, the Monteverde Jewelria Mini, with a fine nib. I lost one and purchased another and lost it as well. It still is one of my favorite pens, but I couldn't stand losing another so I haven't purchased a third. For nearly a year now, I have been rotating my daily carry fountain pen. 

I have a few requirements for this particular pen in my scribal workflow. First, it must have a fine nib because my normal handwriting is small, and the fine nib works well on all assortment of paper, qualities good and bad. Second, it needs to be durable. I don't want a pen in my pocket that can't handle an accidental fall. Thirdly, it needs to be insulated. What I mean by that is in the South and due to my body heat a pen close to my chest can evaporate into the cap the water component of the ink, leaving the dye alone in the feed, which make things difficult to clean. Pens with cartridge converters or sacs are preferred over piston fillers. Finally, it can't be too large because some the clerical shirt manufacturers make shallow breast pockets making it difficult to hold something like a TWSBI VAC 700.

About eight months ago, I was convicted by someone (I don't remember who) that fountain pens are not the best in all situations. So I began carrying either a ballpoint, rollerball, or gel ink pen in my shirt pocket as well. This leaves me with two pens on me at anytime for any occasion. 

Currently using - Lamy AL Star Fine Nib  with Lamy Choral and Retro 51 Tornado Eisenhower

2) Homily Prep

flow_homilyprep

I have one pen that is never rotated and is always in use. That is my Sheaffer Triumph Desk Pen. I purchased it on eBay for a steal of $30. It has a gold nib and write a fine somewhat boxy line. I use it as my main creative instrument as I'm preparing my homilies. It takes down all my thoughts and seems to organize them in a cogent pattern. It is definitely one of my favorite pens, and so is always in use. 

3) Desk Pen

This describes not a species of pen, as above, but rather its use. This pen rotates as ink is used up (I don't like to waste ink.) It's role in my scribal workflow (sorry, I love that phrase!) is to man all normal pen duties at my desk: signing checks, free-writing, Bullet Journaling, brainstorming, note taking, letter writing. 

Currently using - Edison Collier Medium Nib with P.W. Akkerman Hopjesbruin

4) Thank You Pen

I am very grateful to have generous parishioners, and so I find myself regularly writing thank you notes. That regularity seemed to warrant a dedicated pen. This role requires a stub or italic nib for pretty characters. 

Currently Using - Online Calligraphy Pen .8 mm Stub with J. Herbin Perle Noir
From left to right: Edison Nouveau Premier, Bülow X-30, Edison Collier, Online Calligraphy

From left to right: Edison Nouveau Premier, Bülow X-30, Edison Collier, Online Calligraphy

5) Meeting Pen

As in any office, I have meetings. I like the idea of assigning a separate pen to take notices within a meeting. This separates and highlights the notes within my Bullet Journal and of course it gives me the opportunity to ink up another pen. 

Currently Using - Edison Nouveau Premiere 2014 Summer Edition Fine Nib with J. Herbin Rose Cyclamen

6) Delivery Pen

As a priest, I'm preaching often. I have found that handwriting my homilies helps me to remember the flow of the homily as well as helping my internalize how I want to say each sentence. I usually deliver the homily from a full written text, as opposed to an outline. One of the important things in that regard is readability, so I write larger characters than I normally would. To help make those characters pop out I use a broad or sub nib. Because of this, one of the most important things I do end up looking the best with those big, bold lines. 

Currently using - Bülow X-30 Fine Nib with Franklin-Christoph Black Magic (yeah, I know, a fine nib, but that FC ink spreads so wide it turns the fine nib to a broad.)

7) Computer/Phone Pen

flow_computerpen

I'm blessed to have two desk in my office. One is dedicated to normal everyday work and the other hold the later technology, the phone and my laptop with its accessories. I have a notebook dedicated to my notes from phone messages and notes take from whatever I'm doing on my computer, and a notebook always needs a pen. For over a year, my Carbonesque Pilot Vanishing Point stayed here, that is until I let a bride use it without proper caution and the nib wasn't the same (yes, that's the pen I had Mr. Masuyama work on at the Dallas Pen Show). Now I rotate when ink runs out.

Currently using: Yellow Vanishing Point Fine Nib with Aurora Black
The Visconti is to the right of the G-2

The Visconti is to the right of the G-2

8) Home Office Pen

Most of my fountain pens remain in my work office, but I assign a pen a month at a time to reign as my home fountain pen. It is used all over the house, but sits at my desk. 

Currently using: Visconti Rembrandt Medium Nib with Montblanc Alfred Hitchcock

 

 

 

 

 

 

 

9) School Pens

I have a third office at the high school where I have been assigned as chaplain. Last year, I dedicated two pens each with one of the school colors (yellow and green) to that office. 

Pelikan M215 Green Demonstrator Fine Nib and Mandarin Parker Urban 125th Anniversary Medium Nib

Written with:

Esterbrook J 9556 Nib with Sheaffer #42 Washable Blue

Sheaffer Calligraphy Pen Medium Italic with Sheaffer Blue/Black

Waterford Eclipse Medium Nib with Mix of Sailor Jentle Blue and Chesterfield Ruby

Zebra Sarasa Clip .3mm Red