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Filtering by Tag: Visconti

DC Pen Show Recap

Fr. Kyle Sanders

Forgive me if I get sentimental. Forgive me if I wax poor poetic of a weekend that was full, filled to the brim leaving me with less than adequate amounts of sleep, full of beautiful people whose beauty comes not from runway looks but from good hearts, full of beautiful pens and beautiful inks, full of laughter and joy, full of many things that we seek in life: friendship, community, leisure, joy, generosity, kindness, mutual benevolence. I came away from the nation's capital filled with hope, which is itself a gift.

This may seem an odd, and terribly sentimental, response to a pen show. I left full after spending three days around writing instruments and paraphernalia? To capture why I feel this way would be difficult. And, although I have been bereft of words on the blog for many months, I will try to paint cabinet pictures to welcome you into why it is I feel this way. 

Our fellowship started small, Lisa Vanness, her daughter, Cassie, and myself. Through rain and through mountains we traveled. Being from the swamps of South Louisiana, anything resembling hills is impressive to me. Traveling through mountains for an extended period of time always garners images of Aragon, Legolas and Gimli hunting down the Urukai in The Two Towers. Tennessee and Virginia still maintained lush greens in the height of summer. Rolling foothills of Sailor Bungbox Norwegian Wood and Caran d'Ache Delicate Green meeting the Visconti Turquoise sky made most of our drive a pleasure. Even when the skies darkened to Iroshizuku Kiri-Same or the lighter shades of Perle Noire, the mountains pushed through as immovable forces fighting against the falling rain. After hours amidst the Shenandoahs we greeted the new lining of the highways, stone, metal, and glass of the DC suburbs, if only because they announced a coming end to our journey. 

We arrived to a show already abuzz with traders and some familiar faces. We didn't spend much time catching up as we took the metro out to DC proper to tour museums. The rest and relative quiet was an intentional calm before the storm. I spent my three hours amidst the tempura pain of the late Medieval and early Renaissance paintings of Italy. The blues of the Madonna and the reds of the Crucified Christ still stand out in my mind. By the time we arrived back, the fellowship was completed by Brad Dowdy, Ana Reinert, and Matt Armstrong. 

Friday morning came and our crew of bloggers and Vanness assembled to peddle pens and ink. Being familiar with most of the pens and at least some of the ink I found it easy to slip into salesman. Matt and Ana, the ink experts, spend their time helping match inks to pens or shades to inks. Ana with her bright pink hair and Matt with short almost imperceptible blonde hair navigated well the seas of magenta, blue/black, and sepia guiding ink-farers by their lighthouses to the safe shores of Akkerman and KWZ. Lisa flitted around lending her expertise to wherever it was needed. Brad and I found ourselves, most often, trying to sell pens people picked up but didn't care to buy. Cassie often enough became the exchequer ensuring proper funds were exchanged. All weekend there was a conviviality about our lovely band of misfits. Despite the long days and constant stream of customers, we were jovial. We were content being at a pen show, surrounded by the people and things we love. 

Because of the busyness of the table, we all didn't have much time to go shopping. This made it a very different show. It wasn't about the deep search and find for a gem. This show is made for this particular type of shopping because there are so many pens. I came having preordered two pens and having two more on my shopping list. I preordered the new Visconti Homo Sapiens London Fog from Chatterly Luxuries. I chose a broad nib when I picked it up. I also preordered a blue Aurora Optima from Dan Smith who ground a fine architect on the nib. Both are gorgeous pens. I also reserved a bottle of Lamy Dark Lilac from Vanness. 

There were two surprises on Friday. Franklin-Christoph has made a name for themselves at the beginning of shows by having prototype materials; that is now an expected at every show. The buzz was immediate when everyone heard Kobe-Nagasawa had brought their full line of ink. Their popular inks went in the first day. I was able to pick up #32 Tamon Purple Gray to add a second bottle of purple to my DC collection. The second surprise came from the debut pen company, Kanilea Pen Co. They represent a step forward in this continued movement in small American pen makers. Edison Pen Company and Franklin-Christoph started a new trend using great nibs and beautiful materials. They've gone a step farther by providing a story and meaning for each material used. They provide a few different body styles. They have a fantastic logo. They did it all right. Some of the most sought after pens of Friday, their stock was widdled down after one day. It will be interesting and exciting to see how they move from here. Once the Pen Addict talked about them on Wednesday, their website was overwhelmed, a good sign indeed.

Late in the afternoon, when people had seemed leave to eat or take naps, I took advantage to browse a bit with Thomas Hall. We passed Chatterly and Edison Pen Co. perusing but not committing. It was at this point he asked if I had a shopping list. I had seen a pen in the Atlanta pen show that was an OMAS limited edition commemorating the 50th Anniversary of D-Day. OMAS is know for beautiful simplicity in their pens this one is no different. The same retailer was there at DC, Toys in the Attic. After taking a good look at with Thomas, I couldn't pass it up, It's my favorite of the whole haul. It needed a bit of work which Dan Smith helped with, and it writes wonderfully. 

Saturday was supposed to bring a rush at the beginning of the day. Some of that was lessened by higher traffic on Friday, but the organizers also didn't allow massive line to form. It was busy the whole day. The fun came after hours. The bar was populated with awesome people. A possible conversation with an outsider looking in, would've gone something like this:

What's going on? Where are you from?
We're from Canada, the Philippines, and at least a 3rd of the states in the US. We're here for pens.
Pens? The bystander pulls a Bic out of her purse, her face contorting in confusion.
Her responder pulls out a recent purchase, say the Aurora Optima, More like this.
The confusion mixes with wonder as her eyes grow wider.
We like to use and collect fountain pens, Aurora held out as a token of honor. 
But you're all so ... happy.
Yes, the pens brought us together, but we have made good friends with our fellow pen addicts.
Yearning grows on her face as the fear of looking an outsider fades, Can I join you?
Hooked

Such was the atmosphere that night. In fact, Brad told me one guy arrived that very evening apprehensive at attending his first show. He saw us at tables boldly walked up and introduced himself saying, "You must be here for the pen show." 

I spent most of the night under the tutelage of Thomas Hall, learning about urushi and how it charges per master using it. I learned about how to search for what you like and pass along what you don't, an idea I am more convicted of leaving DC. In the midst of the lesson, we dove deep into his collection of TWSBI 580's. Thomas has a large collection of Danitrio and Nakaya and all sorts of fine writing instruments. He loves the 580 body, but he has done brain surgery on them replacing the Jowo nibs for vintage flex. Oh my! Those nibs certainly wouldn't work for my everyday handwriting but neither is does M1000 (a pen quickly moving up the rankings). Stick with what you love is a great model. As I go back home, I'll start looking at what I love and what I don't. 

Sunday was more restful. It was filled primarily with goodbyes. Many had to get back to work for Monday returning to using their pens in the midst of the digital age. Sunday felt like a day of transition. There's some back door deals between sellers for leftovers, but you can tell everyone is preparing  to move on after a frenzy of two and a half days. For some stock has depleted, for others it's disappointingly unchanged. The Vanness table slowed for the first time the whole weekend. Most had gotten the inks they were looking for. Robert Maguire, a Canadian confrere, had generously passed along to me a Shearer Tuckaway with a military clip and faulty filling system. Mike, of Indy-Pen-Dance, coaxed it back to life. My final purchase was one I planned on making. I sat down at the Franklin-Christoph table to look at Jim Rouse's Sheaffer Legacy Fantasy pens. I pulled the whole case to me. At first, I was attracted to the orange material because its vibrancy makes itself known. As I looked through the materials though, I returned to the cracked ice material because there were small shimmers of blue like water bubbling up from rock. I might call it my Meribah pen. 

As we all parted, Sunday night was bittersweet. We so thoroughly enjoyed ourselves. We enjoyed sharing our mutual love sans much drama, anger, and bitterness many had experienced at previous shows. I really think DC 2016 is a turning point in our community, and my hope is, despite different cultural backgrounds, we grow in unity through our mutual love of pens. 

my haul from the show

Atlanta Pen Show

Fr. Kyle Sanders

Here's a picture so you can mentally walk around with me from space to space. 

I planned on arriving at 10 AM, right at the beginning of the day, but as Myke Hurley, of the Pen Addict Podcast, and Jeff Bruckwicki, of Nock Co, found out, I'm not good at counting. I didn't factor in the time zone change, nor that there would be a traffic stopping accident on the interstate. So I arrived on the show floor just before noon. I missed some of the travelers who needed to get back for work the next morning. As my first interaction proved, this show was about the people, more than the pens. 

Obligatory selfie. 

Before I could even get to the show floor I ran into the Pen Addict himself, Brad Dowdy who was seated with his Nock Co. partner Jeff being interviewed by Pen World. I knew I was in the right place. They both gave me warm welcomes despite the obvious import of the interview for getting their little brand to the pen community that isn't on social media. I digress (it'll probably happen again). 

On finally arriving at the show, I see two people: my friend Andre, who lives in Atlanta and whom I helped ease into this hobby, and Myke, who was manning the table for Nock. After a few minutes conversation with Myke, Andre and I made our way over to Franklin-Christoph. As I said in the prep post, I was looking to replace my Model 29 Bellus that Erin now greatly enjoys. Come to find out, the model has been discontinued! What was a casual thought became a virtual necessity. When you are choosing from the end of stock of a discontinued pen, you don't have the luxury of options. All they had was the maroon body with the black clip-band. There was nothing more than for me to choose but the nib. I figured I shouldn't mess with what doesn't already work so I choose the same nib I gave away, a medium cursive italic ground by Mike Masuyama. The nib went over to Jim Rouse to be made sweet. I happened to get the final medium italic nib of the show (which came out of the tester pen.) While we were talking, we came upon the subject of pocket holy water dispensers. Parker, Esterbrook, and Sheaffer made models of holy water dispensers out of the popular pen models. Jim had found one at the Atlanta Pen show last year. I am currently on the lookout for any of those. Unfortunately (or fortunately) I got so caught up in conversations I didn't get a good scope of all the tables to see if one was there. Eventually, I will find one. 

Jim Rouse smoothing Andre's nib.

I went from there to introduce myself, in person, to Dan Bishop, the designer for Karas Kustoms. He had come to the show with his wife setting up a table with his machined wares. We joked around for a bit. (There was a Colonel Sanders look-a-like at the show.) I ended up completing my collection of his pens by picking up a Retrakt in two-tone, aluminum and grey.  

I quickly learned his table and the Nock table were the de facto meeting places for the Pen Addict community who had travelled to the show. I got to meet Jeff Abbot, Thomas Hall, and Leigh Reyes before they left to travel home. All three are people I wish I could've spent more time with, but it wasn't to be. I was struck that, in the 5 minutes we spent together how comfortable all three were despite having only online interaction. They greeted me as old friends. Although I was sad I missed the epic Nakaya party from the night before, their immediate hospitality assuaged me. It highlighted that this show was very different from Dallas. Dallas was about the pens. Atlanta was about the people. 

After saying hello/goodbye to them, I went into the second room to visit Lisa Vanness and her partner in crime, Wendy. Lisa has been busy most of the weekend because of her being the only American retailer that sells Sailor Bung Box and P.W. Akkerman inks. Lisa is an awesome woman. She has bubbly blonde curly hair and a warm personality that syncs well with her hair. What I like most is that she shoots things straight. If she likes something, she lets you know, if she doesn't, she lets you know that too. I find her honesty a delight in its somewhat incongruity with her bubbly personality. I guest I fear the falsity of bubbliness (Mean Girls). Okay, enough of Lisa's character study. It was great to see her.

 Like I said in the prep post I asked her to save two bottles of ink for me. They just started carrying two new-to-them lines of ink, the aforementioned Bung Box and an Italian brand named Califolio. I looked through their site and found two inks that I was ready purchase. For some reason I really like rusty inks and Califolio makes one called Itzamma. It comes in a triangular bottle like Diamine 150th Anniversary inks. The range of Bung Box is so vast that I had trouble settling on one (by choosing one I quelled the temptation to buy them all because that temptation is real). I ended up going with a green, Norwegian Wood. I like both the color and the Beatles reference. I am slowly amassing a collection of dark green so if you have any feel free to suggest. 

After Lisa and I caught up, she asked me about the Homo Sapiens Crystal I had purchased from her at the Dallas Pen Show. I had mentioned to her that the nib seemed scratchy, which wasn't what I remember from my experience of the Dreamtouch nib. I chalked it up (pun not intended) to the ink, but even with a new ink the pen didn't feel right. I brought it with me to the show hoping we could talk about it (I didn't tell her that ahead of time.) I wanted someone else to validate what I was experiencing, because I am still somewhat new to his (the blog is a prideful front of expertise). She wrote with it and agreed that is didn't feel right. So she decided to take it to the Visconti table. I watched over her table for a good 7-10 minutes. She arrived back with a brand new nib, and I subsequently turned into the wicked witch of the west when she lost her battle against water. Lisa had to do everything she could to keep me together so she didn't have to mop me up from the carpet. The nib now lives up to its name. I didn't think a writing experience could feel so good. I showed Brad the pen later on in the day, and he nearly got mad at me for adding another pen to his list. "Get this away from me,"  he said.

When I passed the Visconti table letter (at the behest of Lisa), I thanked them for the new nib. I found out there was a batch of nibs that had poor tipping. I was kind of disappointed at the slip in Visconti's quality control, but, on the same token, they didn't hide the mistake. They graciously replaced the nib (as a side note: I was also delighted to see the two Visconti reps, a guy and a girl, were around my age). 

 I also had to say hi to Ryan Krusac, the scrimshander and pen maker, and his partner in crime Brandon Lee, the Modern Choclatier. I got to briefly meet Ryan's wife at the end of the show. His children were playing around his table and his wife was complaing because one of them bought a few pens that were in need of restoration. It was great to hear the unbridled desire of a child to be like their father, and, on the other side, to see the parent look at the difficult reality of a very detail oriented hobby. I'm excited for the kid. The pens will be much more useful that a model airplane (admitted hobby bias). 

I moved on to the Cursive Logic table.  Linda had sent me an email asking to review her program before the Kickstarter ended, but I balked. I think a lot was going on, and I couldn't really do it justice. She showed me how the program works. It takes some of the concepts of calligraphy in letter creation and organization of strokes and applies them to regular handwriting. It focuses on four basic shapes, and from those shapes you can write the whole lowercase cursive alphabet. I got a book from her and hope to share it around with parents in my parish. 

 I walked around the room simply looking and staring at pens. I stopped a table filled with restored Parkers and Sheaffers. The guy behind the table, Nathaniel, asked me what I was looking for. I told him that truth: vintage pens scare me. I can't tell what is quality and what is not. He proceeded to give me a 20 minute lesson on different vintage pens and a few things to look for in seeing if there are cracks in the material or degradation of a filling system. I feel more confident now and will probably spend more time in vintage the next show I attend. (These thoughts will spurn a whole separate post because this thins is already long and if you're still reading thank you). 

I returned to the Karas table to watch Ana Reinert, of the Well Appointed Desk, and Kasey Kagawa (@punkey0 on Twitter) play with new inks. Ana is one cool cat (I'm pretty sure she's okay with me calling her that). Her interests aren't just in the stationary realm. We ended up talking soccer. I found out she's a part of US soccer history. I'll let her tell the story if you're interested. Kasey is one of those guys that knows not just a little bit about some things but a lot about a lot of things. He had information on far ranging topics from grooming, to beer, to food, to gamma ray saftey (maybe not so comic book-y but the science language was beyond me). I wish I would have had more time to spend with them just to hear them share their stories. 

One thing I must say, both Ana and Myke were left-handed. I had never seen a left hander use a fountain pen and know what to do. It was one of those things where I was both uncomfortable and fascinated in a brand new experience. Because of the nature of left-handedness, one can be scared at lending a fountain pen, but I had no qualms with either person. I would entrust all my pens to them before lending one to a newbie. It was little experiences like that that set this day and a half apart. 

As the show was packing up, I got some notebooks and a gift for a friend from Nock. My last purchase of the day though was of utmost importance. Since I had seen one on IG and then heard Myke talk about it on the podcast, I had to get the Retro 51 Swoosh which is a Tornado wrapped in basketball rubber with the pimples and black recessed lines. I've been a basketball fan for most of my life and to have a pen like that is pretty cool. It added to my growing collection of Retro 51's.  

I ended the show with some nib work by Mike Masuyama. There was a possibility because of my late arrival that I would not be able to get anything done, but due to Mike's incredible work rate I was able to get things in. Over the course of the year, I had found the nib that came on the Krusac pen I had gotten in Dallas had hard starts. I'm pretty sure it was baby's bottom. Mike smoothed it out and turned it into a much more enjoyable pen. It's now both good look at and nice to write with. Then, I asked him to grind the nib of my Giuliano Mazzuoli Moka Chiarracsuro in a needlepoint. It's such a small pen and the nib was subpar to the beauty and was way to wide. It didn't feel right. So now the line fits the size of the pen. I couldn't be happier. 

That night we talked pens but most of all we just talked. I knew they would be somewhat tired after full pen enthusiasm for over 48 hours. I enjoyed getting to know everyone. Pens brought us together, but growing friendship kept us together. Pens were the gateway, but friendship was the end. 

Kevin and I. I'm short. 

The party continued the next day where Myke, Kasey, and myself joined Jeff at the Nock shop. The three of us were free labor for a day helping just gather inventory from what was left after the show. I'm surprised Jeff trusted me to count after listening to me count poorly the day before. If you ordered something from Nock only be subsequently informed they were out of stock don't blame Jeff. It's probably my fault. While we were there, I picked up Nock's collaboration with Ti2 Design a tri-camo Techliner. I love the sound of the click of the magnet. Kevin Penley, of the Gear Compass, joined us for lunch from Hankook, which had this awesome calamari taco. 

The tiredness I had next two days was worth the time I get to meet and spend with these awesome people. So much so I totally forgot to take pictures. I'm looking forward to a full weekend next year. 

The whole loot minus the Swoosh (he didn't get the photo shoot memo)

Pens - How I Let Things Flow

Fr. Kyle Sanders

flow_page1

For two years or so, I have gone from full on digital guru amongst my friends to the largest proponent of analog gear. It started with my first fountain pen, then a second, then a third. My equipment continued to grow so much so that is seemed obvious for me to begin sharing my experience of these writing tools. 

It seems appropriate that, before I continue with other topics like reviews or other creative endeavors, I share should with you how I use my pens paper, and ink on a daily basis. Today, I will start with my fountain scribal workflow. 

1) My Daily Carry

This has different connotations in different areas of the internet world. For me, it is the two pens that are always with me, sitting in my breast pocket ready to be used at a moment's notice. 

flow_dailycarry

Around the time I started in regular ministry as a priest two years ago, I started carrying around a fountain pen in my pocket. For about a year that was just one pen, the Monteverde Jewelria Mini, with a fine nib. I lost one and purchased another and lost it as well. It still is one of my favorite pens, but I couldn't stand losing another so I haven't purchased a third. For nearly a year now, I have been rotating my daily carry fountain pen. 

I have a few requirements for this particular pen in my scribal workflow. First, it must have a fine nib because my normal handwriting is small, and the fine nib works well on all assortment of paper, qualities good and bad. Second, it needs to be durable. I don't want a pen in my pocket that can't handle an accidental fall. Thirdly, it needs to be insulated. What I mean by that is in the South and due to my body heat a pen close to my chest can evaporate into the cap the water component of the ink, leaving the dye alone in the feed, which make things difficult to clean. Pens with cartridge converters or sacs are preferred over piston fillers. Finally, it can't be too large because some the clerical shirt manufacturers make shallow breast pockets making it difficult to hold something like a TWSBI VAC 700.

About eight months ago, I was convicted by someone (I don't remember who) that fountain pens are not the best in all situations. So I began carrying either a ballpoint, rollerball, or gel ink pen in my shirt pocket as well. This leaves me with two pens on me at anytime for any occasion. 

Currently using - Lamy AL Star Fine Nib  with Lamy Choral and Retro 51 Tornado Eisenhower

2) Homily Prep

flow_homilyprep

I have one pen that is never rotated and is always in use. That is my Sheaffer Triumph Desk Pen. I purchased it on eBay for a steal of $30. It has a gold nib and write a fine somewhat boxy line. I use it as my main creative instrument as I'm preparing my homilies. It takes down all my thoughts and seems to organize them in a cogent pattern. It is definitely one of my favorite pens, and so is always in use. 

3) Desk Pen

This describes not a species of pen, as above, but rather its use. This pen rotates as ink is used up (I don't like to waste ink.) It's role in my scribal workflow (sorry, I love that phrase!) is to man all normal pen duties at my desk: signing checks, free-writing, Bullet Journaling, brainstorming, note taking, letter writing. 

Currently using - Edison Collier Medium Nib with P.W. Akkerman Hopjesbruin

4) Thank You Pen

I am very grateful to have generous parishioners, and so I find myself regularly writing thank you notes. That regularity seemed to warrant a dedicated pen. This role requires a stub or italic nib for pretty characters. 

Currently Using - Online Calligraphy Pen .8 mm Stub with J. Herbin Perle Noir
From left to right: Edison Nouveau Premier, Bülow X-30, Edison Collier, Online Calligraphy

From left to right: Edison Nouveau Premier, Bülow X-30, Edison Collier, Online Calligraphy

5) Meeting Pen

As in any office, I have meetings. I like the idea of assigning a separate pen to take notices within a meeting. This separates and highlights the notes within my Bullet Journal and of course it gives me the opportunity to ink up another pen. 

Currently Using - Edison Nouveau Premiere 2014 Summer Edition Fine Nib with J. Herbin Rose Cyclamen

6) Delivery Pen

As a priest, I'm preaching often. I have found that handwriting my homilies helps me to remember the flow of the homily as well as helping my internalize how I want to say each sentence. I usually deliver the homily from a full written text, as opposed to an outline. One of the important things in that regard is readability, so I write larger characters than I normally would. To help make those characters pop out I use a broad or sub nib. Because of this, one of the most important things I do end up looking the best with those big, bold lines. 

Currently using - Bülow X-30 Fine Nib with Franklin-Christoph Black Magic (yeah, I know, a fine nib, but that FC ink spreads so wide it turns the fine nib to a broad.)

7) Computer/Phone Pen

flow_computerpen

I'm blessed to have two desk in my office. One is dedicated to normal everyday work and the other hold the later technology, the phone and my laptop with its accessories. I have a notebook dedicated to my notes from phone messages and notes take from whatever I'm doing on my computer, and a notebook always needs a pen. For over a year, my Carbonesque Pilot Vanishing Point stayed here, that is until I let a bride use it without proper caution and the nib wasn't the same (yes, that's the pen I had Mr. Masuyama work on at the Dallas Pen Show). Now I rotate when ink runs out.

Currently using: Yellow Vanishing Point Fine Nib with Aurora Black
The Visconti is to the right of the G-2

The Visconti is to the right of the G-2

8) Home Office Pen

Most of my fountain pens remain in my work office, but I assign a pen a month at a time to reign as my home fountain pen. It is used all over the house, but sits at my desk. 

Currently using: Visconti Rembrandt Medium Nib with Montblanc Alfred Hitchcock

 

 

 

 

 

 

 

9) School Pens

I have a third office at the high school where I have been assigned as chaplain. Last year, I dedicated two pens each with one of the school colors (yellow and green) to that office. 

Pelikan M215 Green Demonstrator Fine Nib and Mandarin Parker Urban 125th Anniversary Medium Nib

Written with:

Esterbrook J 9556 Nib with Sheaffer #42 Washable Blue

Sheaffer Calligraphy Pen Medium Italic with Sheaffer Blue/Black

Waterford Eclipse Medium Nib with Mix of Sailor Jentle Blue and Chesterfield Ruby

Zebra Sarasa Clip .3mm Red


Dallas Pen Show - Day 2

Fr. Kyle Sanders

Me and Ms. Vanness hiding behind the Akkerman

Me and Ms. Vanness hiding behind the Akkerman

I didn't think it could get any better than day one, but now that I had scoped out everything. I made a game plan for day two. 

- visit the Edelstein's, whom I had met the night before

- get a Ryan Krusac pen. 

- bid on Retro 51's in the auction

- if the budget allows, get a Shawn Newton pen

I started the day with my Hawaiian shirted buddy. He had sold one of his nice pens and had already replaced it with a gorgeous Visconti Divina. He allowed me to test the nib and try out a pen, that for me at least, would be out of the question. It reminded me however of the day before. I had spotted another grail pen of mine, the Visconti Homo Sapiens Crystal. He and I got to talking about that pen, about Visconti Dreamtouch Nibs, and he let me know that our now mutual friend Lisa Vanness had one in stock at her store in Little Rock. The pen costed a bit more than the Dolce Vita, but I decided it would be worth the extra expense, because I probably wouldn't get one otherwise. After our conversation (he might have sold me on it) I was determined to get the Crystal. 

Geha (right) Sheaffer (left)

Geha (right) Sheaffer (left)

On my way to Lisa, I stopped by the Edelstein's table. The elder took me through their bargain boxes and I found three pens for $60. One was for a friend (can't reveal that because he hasn't received it yet). One was an old Sheaffer Calligraphy pen, and the final was a lesser know German pen called Geha, who made neat little piston filler pens. All three pens were great little buys. The Geha is surprisingly smooth. The Edelstein's bread and butter, though, were vintage Parkers in good condition. I haven't reached that level of collector. 

dallasvisconticrystal

I moved from them to Ms. Vanness. The previous day was a good day for her, and overnight her husband had driven from Little Rock to deliver more ink. They are the only American retailer of P.W. Akkerman ink and people flock to her to get the bottles before they're sold out. She confirmed that she had the pen at the store and ... I bought it. I actually bought it. I never though I would go for such an expensive pen, but I found myself giving her my money. I got a bottle of Diamine Mediterranean Blue to compliment the pen. The ink would be the celebratory ink of a new stage in the fountain pen journey. I'm afraid this might have opened a door to getting a Nakaya. 

Unfortunately, that purchase ruled out the possibility of a getting one of Shawn Newton's pens. However, he had this really cool pen that was mostly black, with a marbled black and white grip that brought you a nice surprise when you uncapped the pen. I told him if he could get a yellow and black material I would buy that pen. So, hopefully, if you continue reading, you will eventually see that on the blog. 

I had already made up my mind to get a pen from Ryan Krusac. Ryan, from the Atlanta area, turns pens made of rare woods and of harvested naturally shed elk antler. The elk antler pens were especially beautiful due to the scrimshaw work in them. Over the two days, Ryan and I shared some things about our lives, and we even had a connection of a particular crater lake north of Lake Granada in Nicaragua, that for him held special significance. We have some good conversations about mission trips. The first day, there were three of his pens that stuck out to me. I told him I would sleep on it. The one I decided on was the scrimshaw one depicting a ship in a tempest, which reminded me of Scripture and the Sea of Galilee. It has a good weight to it due to the metalware but as I quickly found out it suffers the smudge of inky fingers, so I will have to be very careful with it. It is definitely a display pen, but I don't buy a pen that won't be used. 

KrusacDallas

Ryan came to the show accompanied by his best friend, who is a chocolatier. He paired some of his chocolates with some of Ryan's pens. Although I didn't go that route, he had some delicious flavors of chocolate: French Roast Coffee (which brought me back home in an instant), Irish Stout (it felt like biting into Guinness), and Mango with chili pepper. I definitely got some. 

I ended my floor purchasing at the Anderson's. I wanted some silicone grease to convert the Franklin-Christoph to an eyedropper. I had also eyed a notebook on their table I could use for NANOWRIMO this year that had nearly 400 pages. It's an Italian company called 360° and supposedly it can be bended every which way. I will definitely put it through the ringer in November. Finally, at the very beginning of the show, while the Anderson's were still setting up, I noticed one of the new pens from Pilot, the pocket pen E95. I love pocket pens and at the price with a gold Pilot nib I couldn't pass it up. 

You might notice there was one thing left on my original list, a special edition Retro 51. Retro didn't have any on display at their table, but they did donate two to the silent auction which benefited the Dallas Pen Club and the continuation of the show. One was an old Retro 51 Abbondanza. The appeal of this pen was its box which is made of bamboo and displays the pen nicely when opened. The other pen was a special edition of 200 pieces the Double 8. It has a gold trim and tortoiseshell celluloid with eight facets. It seems to me very Omas-like, and definitely fits Retro 51's slogan "Life is too short to carry an ugly pen." I was able, with some bid lurking, to win both pens. All in all, I felt my first show was a success. I got some pens, but more importantly I made some new friends.

The whole quarry. The Abbondanza is on the left. The Double 8 is on the top. The E60 is on the bottom. 

The whole quarry. The Abbondanza is on the left. The Double 8 is on the top. The E60 is on the bottom.